Globalsapiens: an introduction to Parallel Paranoia, Humans In Cages and Silently Chained – the respective alternate names for artistic collective Mikk Murray, John Ledger and Jade Morris. Alternate names that speak of lifestyles that they know are destructive to the planet and most often self-destructive, whilst trying to find cracks in which to get out and make a change. This exhibition aims to resonate with all those who care but feel trapped and helpless to make a change, and possibly then inspire them to believe that they need not be this way.
This was an exhibition buzzing with ideas. Hopefully will get to return to some of them again one day. .GLOBALSAPIENS
Globalsapiens: an introduction to Parallel Paranoia, Humans In Cages and Silently Chained – the respective alternate names for artistic collective Mikk Murray, John Ledger and Jade Morris. Each artist has, at some point in life, stumbled across these titles and found them poetically fitting descriptions of their own predicament as young adults in the 21st century: tied to lifestyles that they know are destructive to the planet and most often self-destructive; struggling forwards from this, trying to find cracks in a hegemonic social landscape that drags humans toward an ultimate battle with nature that we are certain to lose.
Thus this show cannot be a means to an end for Globalsapiens: it has to be the start not the end; one of many ‘atoms for peace’, clustering together, always growing never standing still, until their shout is big enough to make one final stand against a world ruled by money. This exhibition aims to resonate with all those who care but feel trapped and helpless to make a change, and possibly then inspire them to believe that they need not feel trapped and helpless.
WHY GLOBALSAPIEN?
As a society, our actions, our expressions, our reactions, all show signs that we are aware of living in end times. Make no bones about it; no matter how much we talk about getting married, getting a house, settling down, we reek of a dying civilisation.
This exhaustion of everything in our merry-go-round swap between being the exploiter to the exploited has to end. Nobody can predict what ‘end’ we can expect, but we can guess what the prolongation of this current manmade nightmare will lead to. But we can also guess and hope; to hope that “surely this can’t be the end of the human story just yet…!” Grim resignation is dangerous; hope generates possibilities – but hope is sometimes hard for one to maintain.
Globalsapiens are artist’s who are desperately trying to find a way forward into a future worth living in. Our instinct is to express – we may not be the most pragmatic/practical people, but our contribution is a desperate attempt to realise a new way of living for the sake of the human race (sound self righteous? No: all species battle to maintain their existence). The time is right. Artists have no future in this old world, they must end their post idealist malaise/capitulation to the business mentality and join the cause to act now to make a future worth living in.
We felt aligned by a feeling that our artwork seems too driven, and too realmerely to be for exhibitions only – which often seem to just castrate it and make it nothing but mere consumer spectacle. This is a pressing concern that is played out within the show: we know that this is all our works may be, but we are still often driven by a powerful dream-boat of blind optimism that refers to the opposite, and seems to be generated by the ideological coding of the very system we are trying to help unwire. We want to help pave a way out of this bleak place our species (and the planet it has dragged down with it) has stumbled into, but we too often get too trapped in our minds to be/or do anything but what the system would happily have us be/doing – what keeps it thriving off human day-dreams and desires.
Nobody is in any place to preach. To resonate with others to generate in others. To alienate is to disintegrate. Let’s take the No Them, Only Us belief seriously again.
Human beings offer fundamentally special qualities to life on planet earth, and wherever else life may flourish. However, we are not better than the rest of life; if we were better we wouldn’t need it; but strip the life away from under our feet and we’d be dead before you could say the words ‘Easter Island’. Nevertheless, this is what out species is currently doing. But to say that we are a species of existential contradictions is to give up without even trying, and to let the idea of perpetual profiteering drag our eyes to the grey floor, where we watch our feet take one step at a time, in a potentially lethal small-world view. This exhibition wishes to contribute to the voices of reason in this time of collective insanity.
Inside Humans In Cages’ isolated cell
“Humans In Cages is feeling a little trapped, and without a vision of the future at present.”“The weekly ASDA shop likes this”
“The capitalist system still advances across the face of the planet, destroying the world that we depend on to survive, and pressing the boot further and further into our faces, as freedom/democracy become obstacles stood in the way which must also be destroyed. But here I languish; informed but passive; not knowing which foot to put in front of the other; so letting faint hopes of something better do the walking for me.
Here in my cell there will constantly remain the doubt that my artworks/artist shows may end up as nothing more than self-profiling within the capitalist dictatorship of individualism; the fetishisation of the self in the forced-competition of status advancement, based on the ultimatum of prosperity and a terror of failure. Thus, everything I have done within my isolated little world sometimes feels so counterproductive: that the truth may be that I am simply bolstering the realism of a system my work fundamentally opposes in its messages, by seeking recognition, and respect from it, for my individual endeavours. The cell contains the informed but passive self, critical but tangled in a knot of unwillingness and inability to step out of the capitalist version of reality. Most of the time I see no light at the end of the tunnel, and it has been said by many contemporary thinkers that ‘it is easier to imagine the end of the world than it is the end of capitalism’. But, now and again, there is a glimmer of something outside the cell; a crack through the screen of this ever-deteriorating normality.Outside the cell, you will find traces of both what once was but was sectioned and boxed away, and what still just might have a possibility of re-emerging. A creativity that has no means to an end, but is perpetual/part of something moving. Even the creation of the videos in this exhibition reminded me of the act of being healthily spontaneously creative before the pressures of business objectives, and wage necessities in the latter and post-education years constrained me to (if I’m not careful) an ever-tightening ‘specialisation’, which could be described as an alienated endeavour, with the opinion of how the world will rate me amongst others always harpooning genuine concerns in my mind.But this is only one side of the truth. The other side being that making these art works has been the most accessible and direct way of expressing concerns and wants for something massively more than just a hand up the status ladder, for years now, and is, actually possibly the only bringer of confidence to my self which has allowed this voice to be heard at all in the first place. It is the most accessible and direct way of expressing them. So, as well as this critical distance to the possible futility of making works for show in a late capitalist society, I still have hope that the messages in them can help change things, if not, I lose my only present voice.
I’ll do my best, but it’s hard trying to stop an exhibition become a means to an end from whereworking towards one final goal, (as anyone who as put on a major show will resonate with) leads to anti-climax, depression and a defeated-slump straight back into the realism of capitalism – to start right back at the beginning, but with less time than before.”
Achieving And Getting Things Done (installation)
Achieving and Getting Things Done was an installation I made for a recent exhibition, Globalsapiens: an Introduction. In this exhibition 3 of us were all trying to speak/yell about the state of the world deeply concerning us within the year 2011. But within the confines of an art gallery, within a confines of our individual artist egos, within the confines of our increasingly atomised and forced-self-entrepreneurial lives, is this possible?
Thus within this exhibition we played on this inescapable doubt of ineffectiveness by placing each of us within individual cell-like spaces within the gallery in general. The installation Achieving and Getting Things Done attempted to bring all this doubt within all of my works in this cell into a more clear light.
Here a few words I wrote for my cell inside the exhibition:
Here I languish; informed but passive; not knowing which foot to put in front of the other; so letting faint hopes of something better do the walking for me.
Here in my cell there will constantly remain the doubt that my artworks/artist shows may end up as nothing more than self-profiling within [what I often feel is] a dictatorship of individualism; the fetishisation of the self in the forced-competition of status advancement, based on an ultimatum of prosperity and a terror of failure. Thus, everything I have done within my isolated little world sometimes feels so counterproductive: that the truth may be that I am simply bolstering the realism of a system my work fundamentally opposes in its messages, by seeking recognition, and respect from it, for my individual endeavours.
Inside Silently Chained’s isolated cell
They all smiled gingerly and meekly. Had they simply forgotten, or had they never known anyway? I guess it is neither. They’re neither alive nor gone. Not until the hour of the moon crosses the path of the sun. Then they will know, and they will realise, what they had known all along. But for now, it is too late. Too late. Too late?
Inside Parallel Paranoia’s isolated cell
This painting (above) is from a series of works called Where have all the bees gone? Where a parallel universe was created to highlight the importance of bees to the ecosystem and our food supply. Without the bees that pollinate roughly a third of our food crops there would be less food around. The chain reaction could be devastating to the human race and all life on Earth. The disappearance and death of bees or Colony Collapse Dissorder (CCD) as it is somethimes known is puzzling scientists and researchers still with mites and pesticides being the main concerns.
In the parallel universe the bees have been lured into a lab by a mad scientist and experiments have taken place. For some reason the scientist becomes psychically connect to the bees and finds they will do as he wishes. The scientist sets about creating his own Utopian vision. Using the soldier bees to hold the planet under siege and turn things around. Food, shelter and equality for all. Harmony with all living creatures and the landscape the ultimate goal. Organic produce, waste reduction, ocean cleanups, knowledge and wisdom passed on to all. The trouble was the scientist did such a great job that he became some sort of a celebrity. A leader and ultimately was devoured by power and greed. Alan is a dog and he spends most of his time walking around in his horse suit. Alan is the mad scientist’s best friend. The horse suit is an extension of Alan and his status/power and also the scientist’s eccentricity. The portrait of Alan was painted by Mikk for the Scientist in 2027. “I didn’t have a choice!” he said.Outside the cells. What’s happening out here?
Many of our endeavours are maintained by reliance on oil. Many of our endeavours are purely narcissistic – taught by the system to be so. Reflecting on this can sometimes make one see their own ‘achievements’ in a very different light. And is it really that precious? (this piece was once used in a Seawhite Of Brighton arts suppliers brochure, not black gooey paint, with a look of oil about it, drips down it).
Parallel Paranioa is in the process of filling up a paddling pool with needless consumer plastic waste. In another water filled area (The Pacific Ocean) a floating island of plastic trash twice the size of Texas is currently existing.
Pandemic-Sheffield! Plague breaks out!!!
Note from self outside the cell to self inside the cell…
The Bretton Woods conference 2011
In the summer of 1944 delegates from 44 countries met in the midst of World War 2 to reshape the world’s financial system. The location of the meeting – in rural Bretton Woods, New Hampshire, USA – was designed to ensure that the delegates would have no distractions, and no pressure from lobbyists or congressmen, as they worked on their plans for post-war reconstruction. The New Hampshire Bretton Woods is part of a land grant made in 1772 by royal governor John Wentworth, which he named after his ancestral home (West) Bretton, in Yorkshire, England.
In the summer of 2011, Globalsapiens met in the midst of a global meltdown (financially, environmentally and socially) to throw around their own ideas of making a better world, with changes being needed now more than ever – A HUGE ALTERATION IS NEEDED. The location of the meeting – In rural Bretton woods in West Bretton, Yorkshire, England – is a symbolic gesture: the USA Bretton woods conference reshaped the world after the war, to prevent the problems (financial crisis’s for example) which led to the war; shaping the world for the past 60+ years, and beginning global capitalism as we know it today.
We need a Bretton woods conference now! Not to reinstate capitalism but to figure out how we can move beyond it. The sources of power whom we would usually assign these tasks to have gone insane; a systemic press-ganging on anything which tries to halt the forces of big business – which leaves this conference to people assumed-powerless like us (Globalsapiens). In this mock-version of an all-important conference, we will speak about, and demand a better world; suggesting, through the thoughts and words they never speak, both what these all-important meetings should really be about, and also emphasising what is more important; assigning the decision making to the assumed-powerless.(clip from video)
Featuring 5 Barnsley-based artists whose work revolves predominantly around the practice of drawing: The artists are, Richard Kitson, John Ledger, Jade Morris, Mikk Murray and Louise Wright. Daytime openings: Friday 22 July – Sunday 14 Aug Opening days Thursday – Sunday, 12-4pm.Hive Gallery, Elsecar Heritage Centre, Barnsley, S74 8HJ .John Ledger.(Left to right) I Want None of This (2010/11), The Index For Child Well-being (2011) . Global Ghetto, 2045, marks the centenary of the defeat of fascism (2010/11)
.. Mikk Murray A dog’s life
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Jade Morris
Louise Wright
.Richard Kitson
Photographs from Ill-Equipped, an exhibition @Access space, Sheffield
A thanks to the people at Access Space for giving me the chance to put this show on. It’s been really good to see these works behind an active environment. Access Space is located on Sidney Street, just a few minutes walk leftwards out of the Sheffield Train Station.
“Access Space is an inclusive environment. As well as working with artists, academics, creative technologists, programmers, other professionals and students, 50% of the participation in Access Space’s activities are from people in danger of exclusion and on the margins of society, including: people with disabilities, homeless people, ex-offenders, asylum seekers, refugees and people with mental health issues. Through Refab Space, Access Space engages with self starters and entrepreneurs as well. One of the strengths of Access Space is that it brings people from different backgrounds together.”
The exhibition was named after the drawing Ill-Equipped, a work that deals with the affect on subjectivities in an world where almost every aspect of life is becoming penetrated/mediated by cyberspace technologies, leaving us ‘always on’. But more crucially what does to our ability to truly develop an understanding of the big issues facing us in the 21st century.
’20 years from now I’ll make it, somehow’ was made in late 2007, and was quite a blatant showcase of all my anxieties about what humanity faces in the 21st century. Nearly 4 years on, we are still on the same track towards a right old mess. We still don’t have enough time in the day to Analyse (like Thom Yorke said on his 2007 album Eraser) where we are, where we want to be, and what we can do to change where we’re going. The demands of modern life keep intensifying, now that our privacy can be gatecrashed at any moment by the ever-forward march of techno-gadgets that dominate our lives and now that the recession and government spending cuts mean that taking life one step at a time is what is necessary rather than thinking about the future. Sometimes I reckon my works work better as wake up calls outside the gallery walls and rather than inside them (where we are in the cotton wool-ness of our evening dress and the red wine we are given). I decided to leave this piece in the waiting room at Sheffield Train Station; now there’s only the fast train stoppage point of Meadowhall shopping centre on the Hallam line which hasn’t received one of my works so far (I think the likes of me, would be monitored by the cameras as being ‘suspicious’ as soon as I set floor towards this complex – not that this is a particularity suspicious thing I’m doing, but we do live in an insane and paranoid world). I really couldn’t think of anywhere where I’d have the time to hang this drawing up, but as soon as I started covering it up in newspaper (to avoid the usual comments I get on public transport when carrying a work around) I quite liked the idea of it being wrapped up. After all, they are gifts, sort of, as I know that I’m not going to get them back.
It is so hard to stay in tune to the immanence of something. It’s so hard to know when things are happening for sure. I await confirmation but, partly because we don’t know and partly because we don’t want to know, it never arrives.
Yet I get pangs of dread on days like this one: there’s been no rain for a good while. It’s mid-April, but the trees are coming into leaf already, creating a quintessential late May-to-early June look, and the sky, for days on end now, has had the endless blueness of a overbearing summer.
Something doesn’t feel right. But it isn’t enough to create a rupture – at least, it isn’t enough to create a rupture for me, as I passively switch to music on my MP3 player which will make MTV videos of my fears, as I walk along the lane to work.
Ever since I went to the March 26 demonstrations against the state funding cuts held in London, I have possessed an urgency for change, or at least a deep determination to possess an urgency for change. Change is something I struggle with my late-teenage panic formed a Berlin Wall-style fence around anything involving risk.
Yet, If the social problems caused by capitalism make up the foe I am fighting with on a raft afloat on dangerous waters, then it is the looming environmental catastrophe it is bringing onto us, which is the deep gorge drop (certain doom) which the raft is drifting rapidly towards.
However, I still use the word looming, but is it looming? Are we not already living through it? There’s been enough environmental disasters around the world and weird weather happenings at home to surely convince that it (climate change/chaos/catastrophe etc) is already happening, yet I still refer to it as looming – waiting to reveal itself from around the corner; a confirmation that things are going wrong, like that fear the media creates in all us passive western consumers that disaster will truly reveal itself soon, in the shape of a terrorist bomb explosion just as we happen to be walking in that chosen area.
But everything moves so fast that it is so hard to even to keep focus on a deeply concerning article one may have read. The worry remains, but it seeps out into every other thing worth worrying about, whilst the confirmation we may have after reading that certain article that we are already entering a new, turbulent, era (i.e we are now living through climate change) is diluted by the omnipresent self-triumphant capitalist imagery. Charlie Brooker’s criticisms of rolling news are very prescient, because the effect it induces of uncontrollable events whizzing past our helpless bodies applies to the entire information spectrum in the 21st century. Everything’s moving so fast that it seems that nothing can make a change. We just feel like passengers riding along through a big mess, and we cannot figure out whether there’s anybody driving or not. And the need to break out of this passive gaze at the world unfolding (even as I make my art work that is directly documenting this, as it has, despite the fact that it is still a necessity within my objectives, has in the recent years certainly taken the role in the main part in my whole-life procrastination to avoid coming face to face with the risk and instability) and act now not later is perhaps the only right thing I can do now, and the need to break through this passivity, is perhaps the the fight most western citizens who can’t ignore what’s going on in the world should attempt.
But I will not preach until I have finally put this into practice, and Judging on my current incapability to fully realise the likely immanence of climate change, even as knowledge tells me it is true, makes me wonder if I will ever be able to break out of this deadlock.
ILL EQUIPPED (2011) Pencil crayon on paper, 70X110cm
The idea for Ill-Equipped was sparked by an article titled ‘pancake people’ in the Magazine Adbusters; a term used to described the mental make-up of humans being tossed around in the info-frenzied world of endless updated techno-gadgets: a wide, far-reaching, grasp of information (piling up on us at an insane rate), but empty of depth and context. Then there was a not very well heard of Novel namedFeed by M.T Anderson, which perhaps portrays one of the bleakest futures in which consumerism in a super techno-advanced age runs amok; dumbing down an entire nation, making them incapable of deep thought and empathy, whilst the environment (the less fortunate parts of the human race) collapses around them. There was also my experience of becoming slowly saturated into the computer-run world of tasks and duties, where work becomes blurred with spare time, and, as Thom Yorke sings on his very relevant (to the first decade of the 21st century) album Eraser “there’s no time to analyse/to think things through”.
I became concerned that this ‘spreading-out’ of our minds, as too many things fight for our attention, would surely make us more indifferent, lacking empathy, thus unable to truly understand what is happening to the surrounding world, which is plagued by pressing issues, possibly never to have been matched in their sheer scale. We are expected to know so much about so many things; gone are the days when humans had a small collection of things that they could devote their selves to. The system convinces us that we need to be informed about everything, need to see everything, which usually results in nothing more than an addiction to gossip on mobile phones/social networking sites. This makes it very difficult to retain any deep-rooted beliefs and makes it an uphill struggle to prevent the thinning-out of our thoughts. Most information is also massively infiltrated by advertising, which begs us not to think of anything much but the material appearance of ourselves and our immediate cravings. But at the same time we are ‘advised’ to search for relaxation, whilst in reality the world of endless tasks (endless emails to answers, endless codes/passwords to remember) we are propelled into makes the caffeine-fueled life of Red Bull/Expresso drinking seem the like the only way of staying in tune.
Instead of pancakes, I wanted to use satellites for the heads of the people; wide, thin, great at transmitting and receiving information, but the information lacks context and depth. The figures stand on islands/or upturned boats in the rising waters, stranded and helpless; transfixed by the constant information they are receiving; blinkered to their pending demise. They are hardwired to all the information they could need, but are immobilised by years of being passive and are ill-equipped to deal with living in a world which requires deep knowledge rather than an information deluge.
And this points to what all of my concerns can be traced to: the destruction of the planet (climate change); it deals a severe blow to my hopes of us having the ability to perceive a new world and prevent the scenarios which would occur when we reach a tipping point. But, like Thom Yorke, I speak as as culprit/victim too. I also get webbed down in a physical world dominated by a hurtling cyberspace, sending text messages which seem ‘urgent’ at the time, needing caffeine-fixes to get through the day. As I fear the ‘thinning out of thinking’ I am also thinking of myself.
What is the right way to go about protesting against the capitalist system? This is the debate which has been at a deadlock in my mind since I returned from the Protests against the government Cuts on March 26th in London. The massive cuts to state welfare were the issue which fused so many groups into one massive demonstration, but they were wrapped in a mass of other causes which have all been caused by the capitalist system. Truth be told, for all of my anger, despair and objection to the direction that the system is taking humanity in, demonstrations are something relatively new to me, and despite my age I am still unsure of myself within the social sphere and have always found joining in and acting on beliefs in public very hard (the past few weeks have been full of missed golden opportunities to do at least something: first I went to the protest outside the Liberal Democrat Conference in the nearby city of Sheffield, only to stand there shy and confused, like a crap football manager, not knowing what foot to put in front of the other; the next day, again in Sheffield, meeting work-friends, I was walking through Sheffield’s roof-covered Winter Gardens only to see Nick Clegg of all people walking from the hotel directly towards where I was! I just buckled and turned my head, pretending to look at the tropical plants in there, giving away an opportunity which thousands of people outside had been dying to have! – although a friend kindly pointed out that if he had noticed that someone was finding a leaf more interesting than him, it may have been quite ego-shattering! That wasn’t the end: out running a few days ago, the Google camera-car came driving past me, stopped for a bit and then drove on, probably ensuring my appearance on one of the last things I would ever want to feature on – it will look like I just willfully let it copy my image). The well known phrase ‘the only thing to fear is fear itself’ may well apply, and I am trying to overcome this, but it is a long hard road, especially when I still have so many attachments hooking me to the system, even as I know with (pretty much) certainty that the world as we know it is teetering on the brink of collapse (whether you locate this reality’s death as the return of pre-democratic capitalism to western shores or as environmental chaos). The sense of what reality is is the main thing that really left an impact on me and my friends who I went to the demonstration with, as we left for our train back to the north of England. Due to having requirements in the north, such as having to work for a wage the next day, we had to leave almost straight after the bulk of the protesting which meant that we had to quickly switch from one experience of reality to a very very different one indeed. This forced-transition was emotionally draining to say the least. This is because the reality we experienced in London that day wasn’t as simple as an attempt at bargaining with a capitalism system which is threatening to be crueler to us, by pleading with it not to crush our welfare system and to keep things like they have been for as long as living memory (although I’m pretty sure most demonstrators didn’t just want a return to this, and wanted more also); the protests to us (especially as certain groups came into clashes with the police) seemed to suggest not an anomaly/a one-off disruption of the capitalist reality we are familiar with, but the seeds of new realities (positive and negative) and the blueprint for what is to be more common from now; more and more disorder as more and more angry people take to the streets in disobedience of the system’s requested of them, and a more frequent usage of the more authoritarian side of the police force by the state (the helicopters were hovering above the streets for a duration that I have never witnessed before, provoking an anxiety which made me feel like I had finally arrived in an ultra-authoritarian state). And alongside this experience of the increasingly repressive state, what we experienced/what we could almost taste (bearing in mind that, as I have said, none of us have had that much experience of protesting before) was glimpses of a new non-capitalist reality, the beginning glimpses of the seeds for potential revolution; it is the first time I have had the feeling that the time to grasp for system change (from capitalism) is coming within reach again.
(image courtesy of Carys Bryan) (Image courtesy of Sam Vickers)But it was my friend who said that it seems like it can only go so far and then it just turns into a festival/carnivalesque event, which can then only celebrate itself, until it simmers out into nothing, and the simmering out of another reality/another way is what made up most of the exhaustion as we then had to make the transition to the mindset for the reality we are used to living in, confused as to where we were, and where we actually wanted to be. Where are we in time? and does the fact that our pubs are still there, are electricity still on hand, our soaps, shower gels and toothpastes and everything else which has been there in our pasts, make us not care that much in order to keep on fighting to sustain another reality? The carnivalesque atmosphere was happening whilst other groups were taking more radical steps just a few blocks away, rioting in certain locations in order to damage the worst of the worst businesses on the high streets (the bank branches and tax avoiding companies such as Topshop and Vodaphone and places that cater for the very wealthy such as the Ritz hotel). I had an instant shock at the point where the separate groups came into view of the main march, as I noticed, for the first time, conflict between the protesters. One man started shouting ‘wanker’ at somebody. I thought it must have been aimed at a cocky Tory trying to cause trouble by belittling the march, but it was anger aimed at a group of young people with their identities covered (The Black Block/Anarchists). Another woman shouted “cowards! why don’t you show yourself? What have you got to hide? and tried to grab the arm of a young woman who came running through the march with a group all covered in Black clothing. There is no doubt at all that these people who were hiding their identities were responsible for most of the damage done the high street businesses, and for the ever-present threat of kettling from the police in the hairier situations up and down central London. What troubled me the most was whether their profoundly more direct approach was the right one, and whether I should have been part of a more direct approach also (a fundamental approach which means a rejection and fight against the whole capitalist system, which is more akin to my own rhetoric) or whether just for the sheer numbers (bearing in mind that I am still very scared on waging direct action in fear of a reprisal damaging the ties to the system which I do currently depend on), the peaceful and institutionalised demonstrations were the right approach. This showed on the placard I was holding which I picked up off the street earlier in the day: one side was a union message saying the “cuts will kill” and on the other side I wrote “only a few years until irreversible climate change. End of capitalism now!” and I kept on rotating the placard like a diner sign in the wind, as although I thought both were right, I was nervous as to which one I should publicly want to declare.
There is no doubt that from the writing I saw sprayed on shops, the stickers pasted over The London Underground and the places where they aimed their anger that in theory there would be very little for me to disagree on with the Block Block/Anarchist section. I refuse to condone the damage done to these shops, banks and hotels, whether it was done in the belief of a noble cause, or just by those for whom vandalism is the latest fad. Nevertheless, I do have doubts as to whether it was the right choice of action, precisely because it gives the mainstream media surplus ammo to ram home disproportionately covered footage of violent action to scare the populace into fearing anything other than capitalist realism, and I saw this fear resorting to anger of its own, in isolated incidents, whilst making my way home. But also, I couldn’t help but consider whether it was right to bring riots to the streets in front of children in what was largely a family orientated protest, threatening to cause distress to people who are after all out support a just cause (but, yet again, I saw little evidence of children in distress whilst attending the demo – I only saw it being emphasized on BBC news 24 when I got home later on), or were these necessary displays of a complete rejection of a system we must so crucially fight if these children are even going to have any future at all? (Capitalism’s inherent need to grow, thus continue to tear up the environment – surely this makes any attempt at its overthrow a necessity?).
(Tiny Mindless Minority, a cartoon by Martin Rowson, in The Guardian on monday 28th, perfectly sums up why, even if they don’t think the violence was the right choice of action, many people certainly DO NOT condone it.)
And for this reason, it wasn’t completely down to the rioting and the potential of real violence from the police, as to why I became so unsettled towards the end of the day: it was the inner conflict of who I am and what I really believe and what I want to see happen in the world. Part of me really wanted to see, and wished to partake in (if only I didn’t have a certain fear of being lambasted by those who I depend upon and a infuriating instinctive reaction of apology to any authority figure) the smashing up of a branch or two of big businesses and, to go further, the desecration of all things bourgeois in the near vicinity. However, another side of me longs for peace and togetherness, and a hope (and sadly I think that a hope is all that it is) that the right things for the people can be brought about by peace and togetherness (almost like the bizarrely simplistic ending to the famous 1920’s film Metropolis, where the leader of the city ever so easily comes to realise the errors of his ways and goes forth to run the city for the benefit of all its citizens) – which is pretty much a summing up of the main protests held by the Trade Unions. Knowledge tells me that the government simply won’t give in to such a peaceful protest, and, more than that, the system won’t even be tested. But this relates to a much more total problem as we still live in a time where capitalism is still massively asserted as the only option, thus making most campaigns and protest merely appeal for capitalism to be a little bit nicer instead of an attempt to challenge it (although, as I have said earlier, there is some signs that people are starting to search beyond capitalism again). It is a dilemma of whether to look for a complete overhaul or to just help do our best to make capitalism be better to the people; the latter being the more instantaneously self-congratulatory choice of action, but also largely futile; the former being the right choice over all, but much more difficult to follow, and even possibly inhumane to those around us who need our instant help, not some far off goal. I am having the very same dilemma, whilst writing this blog, as I leaf through a letter from charity group Action Aid, asking me to lobby my MP to support action on global poverty and to tackle global hunger. Of course I think global poverty and global hunger are totally awful, unjust and unnecessary problems which need to end. But this is precisely why I am unsure that charity is the right method for ending it: like the bulk of the march 26th demonstration which was intending to fight to save the welfare state, it is campaigning within the real of capitalism, bargaining with it in acceptance that “there is no alternative” to it, not attempting to fight for a world where these gross inequalities need not exist. Slavoj Žižek rightfully, but controversially, states how charity, although it has truly good intentions, merely perpetuates the inequalities it aims to challenge because it tries to ease them rather than abolish the system that makes them. He made the example of how the worst slave owners were the ones who treat their slaves well because they diverted the issue away from the abolishing of what, no matter how better treat the slaves were than before, was still a repressive and totally unjust and unfair practice. At the same time, again appealing within the real of capitalism, there is some truth in the fact that charity (especially in its high street form, where the logos on the jackets of their workers strangely reflect the logos on the shops and merely add bulk to the idea of consumerism) appeals to the pervasive consumer mentality of buying to make ourselves feel better; in this case, spending to slightly relieve us of the guilt of generally participating in a system which causes much more misery than we experience, to other people in less fortunate parts of the world. This doesn’t mean it is an unjust or bad procedure, but is perhaps the wrong choice if we do actually want to see things such as extreme poverty abolished and not just for an occasional easing of it and a release from guilt for ourselves, which would require actions taken outside the veil of capitalist realism. The unwillingness, or incapability (which probably includes myself) to challenge the real of capitalism sadly seems true of the bulk of the anti-cuts campaign. The cuts are awful, unjust, and letting the elitist trolls off the hook, but merely appealing to the system to be fairer to us all simply doesn’t seem to be the answer we need, not to mention relying on morals from a amoral system which, even if some ground against the cuts can be made, only puts them off until they surface again in the future – bigger and harsher. Yet, although I believe all this, I also see the inhumanity which could be enacted if we were to dismiss charity and welfare-appeal in order to see a bigger picture, and the sheer crudity in both asking those who devote their lives to just charities to give it up for the ‘bigger picture’ and never giving to those in need again because it isn’t the answer to the overall issue; this would abandon vulnerable people who need help immediately, and the good nature and wanting for a better world from those bargaining for a fairer world through capitalism means that they simply shouldn’t be left to do this by themselves. The radicalism which is required to challenge rather than merely fight back against the worst aspects of capitalism is a hard practice to live by; where do you begin? and how do you sustain it? And in respect to the demonstrations, should one go with the direct actions of Black Block and The Anarchists (I am still not sure who did what at the protest so I have referred to them both, if it was either and not mainly people working for the media and authorities) knowing that there is a possibility that 1; some of them aren’t in it for the right reasons and possibly just want a riot and 2; that the power and pervasiveness of the mainstream media means that more negative and fearful feeling about these actions can be generated within the majority of the nation’s population than positive feeling; or should one go with the more peaceful demonstration which, unlike Black Block/The Anarchists, doesn’t have an air of challenging and other-throwing the system, but merely wants it to look after us better, knowing that most of these demonstrators do have the hearts firmly in the right place? Not to mention my inability to act, and persisting fear of the unknown, although this might be exacerbated by a confusion which seems to increase with the more that I learn. The later and more tired I get, my depression kicks in as a noble justification to give up and hide away. Out comes my mp3 player, on comes the music which speaks to me of hurtling towards a dead end more than anything else; the music of Joy Division; “who is right and who can tell and who gives a damn right now?” How to act outside the veil of capitalist realism with the intention of fighting it, well that’s a problem (both in my art work and in my search for content and freedom from the consumer mentality) that has been causing me mental havoc for years now, as it has done so too for many an artist, poet, and musician, and arguably playing a significant role in the famous suicides of our ‘fallen stars’. Philosopher Alain Badiou’s idea that subtraction from the real of capitalism, rather than trying to replace the state with a new state (thus running a major likelihood of repeating the disaster of 20th century communism) is a truly inspiring idea, but I cannot think of many ways of acting this out. Perhaps, however, a good example is in the actions of the UKUncut direct action group who, despite their name which may give over the idea that they are predominately appealing from with the framework of capitalist realism, gave a really good example of subtraction from the state, when in the midst of the Saturday demonstrations in London, they occupied some of the main high street shops and banks (unjustly arrested after being tricked by the police into believing that would be set free, but this is another issue) and turned them into make-shift health-treatment centres, places to stage musical comedy performances etc, excellently turning ‘Dave’ Cameron’s phoney ‘big society’ idea against him, making something which if implemented and repeated more so across the country with preplanned tactics, could really test the legitimacy of this government. Returning to the march, out of all groups UKUncut are perhaps the ones with the right ideas. All that is left to do (personally) is to fight my own condition which (because it has affected and is still affecting so many young people, has been given a name) Mark Fisher labeled as ‘reflective impotence’, rather than the much more more simplistic apathy.
Referring back to the Black Block and the Anarchists, If anything did make me slightly skeptical about them it was that, despite their faces being covered up, one could see that their body frames were nearly all very slim/slender with narrow shoulders, making it blatant that most were not out of their teenage years. My instant doubt was that many of them were possibly taking part for excitement and too young to have developed such a concrete philosophy. However, reflecting on these assumptions, and taking into account my views about the state of the world and that turning a blind eye to it is almost impossible due to the sheer amount of information out there, maybe it is possible that the reverse of my assumptions is true; that many of today’s youth are in such absolute despair about the world that is being passed onto them that they already do have concrete philosophical and political beliefs, a necessity in order to try to do something about it. Maybe, after all is said and done, the spirit of revolution is genuine this time? A long shot it’s true, but still, something new may actually be brewing. Nethertheless, the other thing which did cross my mind, however, was in regards to a protest in 2010 in Toronto, Canada. Similar incidents of property damage (thus prompting extreme police tactics) had occurred involving the Black Block, prompting the anchorman for The Real News Network (and independent, unbiased online news broadcaster) to condemn their actions, airing a suspicion that many of the people enacting the violence may not be not who they said they were, and were actually working for the authorities, instigating criminal damage so that the police forces then had a legal justification to charge on, and oppress the bulk of the protesters in general. This is not unheard of; it happened in the 1984 miners’ strike, where someone dressed in plain clothes from the authorities would stand with the striking miners, and throw something such as a rock at the police which then gave them authority to charge forward (in fact there is now footage from the March 26 protests which show an ‘hooded individual apparently showing a pass to officers before walking through police lines. Likewise, a friend of mine told me of how a friend of his who was involved in the protest was offered a brick by a SKY TV journalist, with the offer of money if he threw it through a window). However, a dominating factor in my initial doubts/suspicion may be a reflex to ease me of the guilty feelings from being inadequate at, and fearful of confrontation and direct action in the face of authority; I know that my body is still full of institutional toxins leading me to buckle and to give in when coming face to face with a figure, or building which possesses authority. The images of the Police with their shields and batons, protecting the Ritz, put as much fear into me as it did anger. I felt like I just wasn’t up to this; and there came a point when I just wanted to leave the streets where ‘the ‘action’ was happening; I wanted to get out of this ‘mad city’. And because of all this fear of change and the disorder that surrounds it, conflicting with the knowledge that this is precisely what we require at the moment to pave ourselves any kind of future, I am currently feeling very lost, and less sure of who I actually am than I have been for some time. It must be said that although I am battling hard to alter my outlook on life, I am a depressive: I see deadlocks and I actually fear change even when I know it could be for the better (for example, ask me take on something new in life and my first reaction is fear not opportunism). But this depressive outlook – that any fundamental shift is a terrifying unknown – is the natural state of a media-fed citizen of a capitalist nation, in which freedom is only advocated, and allowed as long as it is the narrow definition of freedom-to-purchase-commodities, from one purchase of freedom to another, where anything beyond this horizon is pose potential disaster to our hedonistic trail. This world says “switch on the screen, switch yourself off; consume, be the same; stay in and watch the BBC, the Dave comedy channel and the endless stream of “warnings from history” about fascist Germany on the Yesterday channel” (whilst the world outside slowly starts to resemble a dictatorship itself!) “Because, remember, life under capitalism may have shit parts/gray days but it could be much much worse, and would be much much worse. Hey! Why don’t you get something nice from the fridge? You deserve it!”
On the way back through the underground system I was reminded of the depressing but ‘safe’ (for now, at least) existence of the conventional reality: advert after advert containing images of generically beautiful women, who as much as I am conditioned to pine for, I will never actually see in reality becasue they only exist on photoshop files. Then I was reminded of the police state infrastructure via the endless and repetitive automated tannoy announcements (voices too sharp not to penetrate) and the posters advertising the usage of CCTV cameras within the location, with words and the visuals of peering eyes, reminding us to the fact that the extent of the surveillance state is so far down the line of normalisation that the vulgar similarities between the imagery and the warnings from writers such as George Orwell no longer even raise a voice of concern amongst the commuters. As we got on the train we were already expecting that the coverage of the demonstrations on the main news channels would be predominatley negative – speaking as the voice of capitalism’s superego; shocked and perplexed as to why people would be so ungrateful and aggressive to it after the “good life it’s given us” – because we’d already received a small dose of negative comments as we walked back through the city with our placards (even though we had been peaceful protesters). You could tell that these opinions had been formed from being informed by the mainstream news channels (no surprise, as I turned on the television when I finally got home, to find the BBC news reporter treating the whole incident as if he was being led by the police through a landscape of fire-loving ghouls, acting out the image of the rational, reasonable, law-abiding face-mask of the state, informing us with the air of shock that “he had already been threatened”). As the train was waiting to leave London a group of reasonably drunk me came and sat in the carriage (from what they were saying they’d been to watch a football match and were heading back to Wath – a village not far from where I live). From the offset they were being very loud/rowdy. After some time some of the other passengers had had enough and told them to quiet down. The aggressive reaction of the men that followed sparked an argument, in which two men who had been to the demo, by all accounts, joined in. Without being able to hear much of what was said the drunken men, who were speaking considerably louder, started slagging off The Labour Party and the smashing up of the windows of Topshop in aim of the two men who had been to the demo. Without knowing if these two men stood for either of these or anything in-between, the drunken men seemed to lump everything that could possibly be related to the demonstrations in the same boat, in one big slag-off of it all. There was a hostility to it all, and it instantly reminded me of the power the mainstream news channels and the most dominant newspapers have for generating fear and anger in so many people, in defence of things most often not in the interests of the people consuming the information – and one begins to fear those who are possessed by this fear, in case of nasty reactions. At this point, I began to feel ever-more regret for not having the confidence nor the guts to leave my system-tied life behind (by putting it into jeopardy to join the more direct protests) towards this system, by which we are so easily fooled by the nicey niceness of the mainstream news into believing is an OK thing (for a long time Ive contained a muted longing to smash the windows of high street stores, without the injustice of tax avoidance fueling my rage; feelings which are more to do with the sheer destructiveness that the consumerist environment perpetuates). True to what I was more or less expecting to see, the argument got violent: one of the drunken men grabbed the neck of one of the other men, and started shaking him aggressively. I’m not sure what was actually said, but the conclusion that we came to on our own table was that any threat of a tear in the “way things normally are” (capitalist realism) frightens people, making many aggressive; learning the true cause of discontent/unhappiness and accepting uncomfortable truths (evident to one who has witnessed aggressive reaction) is a long and painful journey which can be made very hard to even get the chance to take due to the environmental one is raised in (this is in fact the diagnosis of the popularity of far right groups such as the British National Party; as global capitalism is at the route of all their discontents of those who vote, and stand for them, but they react by blaming other groups of people, easier targets to locate, who are in fact forced to live in the same areas as the dejected white working class because they too are being exploited and uprooted by the system). I did wonder, however, for how much longer so many people can devote all their eloquence to ‘football talk’, because the disgraceful amount of money now involved in professional football all-but guarantees its eventual collapse. From this confrontation then came the police (I’ve never seen so many police in one day), boarding at Doncaster station, questioning all but the one who actually grabbed the neck of the other man, who spotted the police on the platform and made a dash for an exit further down the train. What this dramatic day seemed to reveal, for me, was a tester for the future, whether I like it or not. I am already very aware of how the streets will be become more unsafe with angry and confused people as the cuts begin to slap us in the face; tensions about and within groups of immigrants will grow as more and more leave their homelands due to war caused by resource exploitation or environmental disasters; we can expect more upheaval both in protest, despairing outbursts and unexplained violence, and we can expect more and more police blockades and interventions, perhaps becoming more repressive as the system carries one as it shakes off all its democracy as it tries to save itself. “Where will I be, and how will I deal with it?” I keep asking myself this. I am currently at a crossroads in my mind (maybe a rock and a hard place is more accurate to the way I feel) Do I fight the system in every way I know, risking an immediate risky upheaval in my life? Or do I capitulate further more to my fear and depressed reflexes which call me to build mental walls, and hide behind physical ones in the cocoon of my broadband internet access room? It isn’t so simple as to put up a fight. I feel very much like Theo, the lead character in the Film The Children of Men. To use Mark Fisher’s explanation of the importance of this film to our present situation in his book Capitalist Realism, The Children of Men is an “extrapolation of or exacerbation of” our current world. It is a dystopia which is not an “exercise in such acts of imagination” but is rather like the world we live in already but where a gradual deterioration of societal qualities to an extent which we in our world would find shocking has been slowly normalized (“internment camps and franchise coffee bars co-exist”). Without paying too much attention to the reason behind the predicament of the human race in The Children Of Men (mass sterilization meaning nobody has been born for a generation), Life in the film seems to have followed a path right from our present; a route that gets increasingly unbearable (the film is set in 2025; I’d say that there is evidence from all parts of the social spectrum that life is already considerably less bearable under capitalist realism that it was at the turn of the millennium – fear and pessimism are much closer to the surface). Theo has taken the path of trying to forget; he is passive, has a dull office-like job and drinks and smokes to anesthetise him to the madness going off around him. (With bombs going off often, having to walk past refugees in detainment cages as if they are stray dogs, feral groups living outside state control who attack the well-armoured passenger train he travels in, he strangely manages to ignore/forget about it in a similar way that people today can ignore the desperately poor and the homeless who exist in our city centres). This is the world I expect, if we do not fight capitalism, and Theo (who he is at the beginning of film) is the type of person who I would have to become in order to survive this world, without fighting back against the awfulness slowly culminating under capitalism. Actually, one of the experiences of the protests was shockingly Children Of Men-like: amidst the peak moments of the protest, there were people sat in chain cafes talking, reading, not showing any response to what was going off directly behind the pane of glass that separated them. Each of us independently remembered how weird this looked (we only spoke about it, well over a week after – these few sentences are a later addition to the blog). Perhaps this was because we could see ourselves on both sides of the window (depending on how we proceed to deal with the world now a return to blissfully naivety is just a most-missed memory)?. Despite the numberless hooks this system has stuck into, one thing does seem certain to me now: in every possible meaning of the two words, death is capitalism and life is communism. Do I have the guts to go down fighting for the right world instead of vegetating in the wrong one? I really cannot be sure; I keep thinking that one day I’ll be strong enough, but I may be putting this off, as if the choice had to made tomorrow I think that, sadly, I’d buckle and stay under the wrong one to lead a life in a constant search for sedation, dreaming about ‘the old days’. As I got off the train at Wakefield Westgate and went in search of a taxi back to Barnsley, I remembered that it was a Saturday night, and that the wait for a taxi may be long. Facing waiting on the main ‘nightlife’ street of a British town on a Saturday night is not a very welcoming proposition for someone who is stone-cold sober at the time. 18 to 50 year olds were stumbling around, pink and red signs were flashing back to each other from each side of the street, and loud music and the smell of take away food competed with other for peoples’ attention.
Although Britain has an history steeped in drink, the binge-drinking culture seems to correlate with a more recent history of cultural and political changes: the hedonist-nihilist tendencies of post-modern culture and the move towards free market global capitalism. But the general assumption made of late capitalist revelers that their attitude to life is that “you only live once so you might as well enjoy it to the full/there is no alternative to capitalism; communism is a nice idea but it doesn’t work, so lets just enjoy life hey?”, is not the full picture, possibly not even a fraction of the full picture these days. I cannot stress more that the need to get so drunk is just as much to do with a need to forget the unpleasantness’s of life; also that the need to party on a regular basis is also just as much to do with fooling oneself into believing that these are the ‘good times/great days/a constant veneering of a otherwise thankless life. I think this takes on extra emphasis when we live in an age where it is difficult to picture a bearable future. None of the people out around Wakefield, and any other town that night are ignorant to the critical predicament of the human race at this moment (with looming ecological catastrophe and a growing demand for fewer resources), it’s impossible not to know. But what do people do? I’m an heavy drinker also when I get going, and I’m no stranger to stumbling around the streets of my home town on an evening, and Ive been doing this at least 1 day a week, most weeks, for the best part of a decade now. I looked around at the middle-aged drinkers in town that night and wondered whether I wanted to be still drinking to anesthetise myself at this age (when the task will become much more difficult to achieve), trying to do my best to forget and avoid, or will I, and many others (for that matter), stand up and do all we can to try to bring about a future worth living in? this question needs answering.
Why, I wondered, do I only notice Telescreens (the object itself, rather than what it is showing) when they are turned off? Looking up at the sleeping boxes as I enter the transport interchange, there was suddenly something more about their presence; they almost had a creepy presence as they hung above my head, and all the other heads on their way home. If they were switched on it would have been giving me information – what us humans gasp for, and can’t ignore, even if it bears no importance to our own endeavours.
Our lives are surrounded by screens. Something about the image on them, be it another humans or just simply text, has an authority over us. For example, just look at a conversation and how the communication going on in physical reality merely acts as an interval between the urge to get back to what really matters: text chatting on mobile phone screens. For another example, put a TV in a pub/bar and suddenly the place becomes like a theatre with a captive audience rather than a place for conversation.
But when the power goes off, we have these blocks and squares staring at us. And it feels really weird. It is as if our leader has abandoned us. “What the hell do we do now?” We can only hope they are switched back ASAP and that things get back to ‘normal’.
And still the screens advance! Barely any of us drive places without guidance from the sat-nav screen; we now read books on screens rather than carry real ones about; I also find myself feeling that my music player is incomplete if there isn’t the album sleeve of the currently playing artist beaming back at me as I stare down at it, whilst frantically clicking at its buttons (mind you, that’s also just a tactic because I’m scared of eye contact with the hyena-like gangs of teens running about in the transport interchange, to be rude to them and true to how they make me feel).
Ok, using screens in this way isn’t a bad thing on its own. It’s our growing dependency on them which is the concern, and it only seems to hit home when they are turned off, and we aren’t blindly (not literally of course!) obeying the information they give us. More than that, all this is run on finite energy, what will we do if we find no new way of powering it all and it stops? Will we do what Thom Yorke Suggested in ‘My Iron Lung’, “just hum”?
Global Ghetto, 2045, marks centenary of defeat of Fascism, (Biro on paper, 140x100cm, 2010/2011)
I began making this drawing in November 2010, and have only just completed it. I began to develop the idea whilst sat in a café one afternoon. This is how the ideas begin:
My expectations of a future under global capitalism are bleak. Whilst imagining a future, the date 2045 seemed to stick with me. This is because it would be 100 years since the defeat of fascism, a date which we all look back at where good won over evil, and we were told that such human suffering must never be allowed to happen again.
With the defeat of fascism and the end of war, despite the threats of the nuclear age, people alive in 1945 had a belief in a future that would continue to bring them a better life. At present we see the future in the opposite sense: things are only going to get worse if we carry on like this.
In my darkest moments I fear that there will not be any of our “great cities” left in order for the global ghetto, predicted in this drawing, to be actualised. But the future date of 2045 was very important to the idea of progress; 100 years since the widely assumed end of the Second World War, it stands as an historical landmark from which ‘evil’ was defeated and ‘good’ would now make the world a better place. But this idea, which still rests solidly in the hearts of all those indoctrinated by western ideas, has turned horribly sour.
This piece intends to be seen as an extrapolation of the present; my grim expectation of the fate of most of the people as the world continues to be driven by capitalism. It also just solemnly looks backwards and bluntly asks “What went so horribly wrong (in order for our future to end up looking so bleak)?”
Fascism was like a tragic car crash, from which the ruling powers of the time were never really held to account for their reckless driving, and, thus, have continued to drive recklessly. It isn’t alien to our own ruling system; they share the same roots, like cousins. Likewise, our system has the ability to fall into dictatorship, if put under severe stress. I have intentionally tried to put elements that we are currently familiar with into a landscape which is terrifyingly worse than what we know now. But such a world may be actualised, as deterioration is all we can now expect under global capitalism; its welfare state period is dying, the planet’s resources are becoming more and more expensive as they dry up; the future for humanity can only get worse on this route. The system can now only deliver a slow erosion of democracy and a dystopia which the prophetic writers of the 20th century would have struggled to imagine. The future we may once have expected has taken a horrific u-turn.