Not For a Long Long Time

Actions from another time


If the so-called ‘age of austerity’ had begun by this point, I was only just able to taste it on my tongue. A claustrophobia (or an intensified version of what came previous) specific to this age ensued. And I hope I’ve already stressed on this blog how it feels that the gravest of issues threatening the basics needed to have a habitable planet seem to have been pushed further from grasp by a social climate that has necessitated an economically-debunked, ecologically-disastrous unhappy selfishness. What I mean is that just when all logic pointed us one way, the ruling agenda has hurtled us into a more fucking messed up take on all that came before.

And what I’m really talking about is that back in 2009, 2010, the issues that really ought to mean the most to me did mean the most to me, before I got embroiled in this day in day out self-preservation battle; one I foolishly didn’t anticipate due to a conviction that just ‘doing my own thing’ would suffice as a soul-saver – with no acclimatizing to social norms required for formulaic sexual attraction so necessary. But under all the will to help the world, I was never ‘the quiet man’ – always too easily swayed but the things I wished I wasn’t swayed by’. It caught up, and like Canute I just stood there.


Where did all the Caring go?

But that doesn’t mean I won’t prise out the courage to care again; I’m still inhaling and exhaling on this planet, and I still rest my words around the argument that it isn’t inevitable for our species to fuck it up, well-and-truly.

Here are some photos of a woodland slowly emerging from the trees I planted down the banking of the A637/ as South and West Yorkshire join together. I planted them over a succession of Wednesday’s in 2009, 2010, 2011, on my way to pick up my wage from my nearby workplace. I must have planted well over 50 trees (mainly oak) that are still growing.

I’m not saying my acts of guerrilla tree planting were doing anything more than acting as a gesture that I hoped would be spotted by others. But the very impulse I had to do this in the first place proves a fidelity to a wish that we could steer this defunct, insufficient vessel of western civilisation to a reasonable safe place build anew. And I know that sounds sort of religious, but this was one of many ‘artistic’ actions that stemmed from an initially-teenage inability to deal with the nihilism of accepting a world where we couldn’t save ourselves, and where the only alternative was to ‘make sure you have a good time before you turn the lights out’ – an offensive philosophy to anyone who finds/found something of contemporary life intolerable.

But, regardless of all that, these photos here show a bunch of trees that may grow into a woodland. Something my younger self should be angry about his older self not considering enough!

‘Soul Searching’ – exhibition


Although Dewsbury has always been a nearby town, the exhibition I was part of allowed me to discover parts to it I hadn’t seen before, as I climbed up the hill from the train station up to Crow Nest Park. I got a view that stretched back over to Woolley Edge, reminding me of the strangeness in how the industrial towns of West/South Yorks fold into different valleys from where transport connections and communication are almost non-existent in relation to their general proximity.

The exhibition is called Soul Searching and is…

An exhibition of mental health related artwork, on display in the 2nd floor galleries at Dewsbury Museum throughout the first quarter of the year.

The exhibition has been curated by Mark Milnes, of Creative Arts Hub. From a large number of submissions received via curatorspace and by email, we have selected a wide range of approaches to the subject. Work has come in from across the country; and we also have artwork from Canada (Emei Ma, nascentscienceart.org), and from Austria (Klaus Pinter).

The work is broad in scope, some of it exploring the dark recesses of the mind; others focusing on the transformative power of art, used as a means to overcome mental health problems. Featuring work from individual practitioners, and from organisations – including Women Centre Kirklees and Calderdale, Hoot Creative Arts & Glenside Hospital Museum (Bristol), the exhibition offers a serious exploration of a challenging subject which visitors will find to be raw and thought -provoking, and equally positive and energising.

This Land

“For there are brighter sides to life, and I should know because I’ve seen them, but not very often” (Still Ill, The Smiths)


I wish the diagrams of carbon footprints and three-planets-consumption-rates would give up traveling through my mind in the form of guilt-trips right now, as I’ve only ever flown one other time in my 32 years on the planet.

Anyway, it must be said that I’m far less bothered about seeing every corner of the globe as much as I’m bothered about seeing the only bit I know well from another perspective: thousands of feet above the land as the plane flies over Northern England.

I’m seeing England for myself as I’ve seen it all way through my life on paper and on a computer screen. I’m a map obsessive, but maps of the land I live on, and the towns and cities so near to me that I can see their light pollution as the night closes in (Surely one day we can leave behind this civilisation built on competition, envy and power, driven by fossil fuel addiction, and find ways of allowing such sights without making us complicit in destruction at the same time?).

not my image – forgot my camera

I appreciated my work friends asking me if I wanted to meet up with them in Amsterdam. I took them up on it in an instant. As I’ve said, time and time again, although I travel often, 90 percent revolves around the former heavy industry heartlands of the West Riding of Yorkshire, and 9 percent traveling to and from cities such as Manchester, Liverpool, London etc. I’m not a great planner for the far-flung, either in time or space.

The here and now seems so claustrophobic in an England too socially-fragmented to truly convince itself that the age of endless austerity can end, that the far-flung other seems to refer to another dimension rather than another place. But, granted, I seem affected by this inertia to the point where claims of self-fulfilling prophecy aren’t unjustified.

The compulsive comparisons of Amsterdam’s size to English cities made it clear to me that I have an indelible relationship to the landscape of England. The land clearly means a lot to me. This is why, even as I constantly refer to it as an unhappy and sick place, I can’t see any point in fantasising about (or even planing) running away to some scarcely populated wilderness, or somewhere lacking our horizontal winter rain. The view from the plane as we flew back over to Manchester Airport was a sight-seeing far more appealing to me than the world-famous layouts of historical European cities.

again, not my image

A family with the wrong members in control

George Orwell famously wrote that England was a family with the wrong members in control. A seemingly somewhat reluctant but necessary text he wrote in a punch-drunk manner as England, along with other old imperial nations, had stubbornly and clumsily walked into a war with a Germany that had been turned into an insane war machine.

The text has been massively misused ever-since for jingoist aims. The English people haven’t faced anything like the threat they faced when the Luftwaffe was conducting bombing raids over towns and cities. The biggest threats we face are subjective, not objective – climate change is clearly being lived through, and the madness of Fracking is in our midst (for example), but no effective action can be taken on this until we ask ourselves what type of society we want.

But this is exactly what Orwell was arguing we needed to do in in the 1940’s, a time where all the classes had to work more closely together out of sheer necessity. In the midst of such a turbulent time Orwell was asking if 1940’s England really wanted to go back to a stuffy and backwards class system. To some extent, after the conflict ended, such alterations were attempted.

A similar coherence is demanded today. We have reached the point of the 1930’s levels of inequality; power seems unaccountable as wealth is sucked into fewer and fewer hands. I don’t think anybody actually thinks this is a good thing, but we just seem so locked in a claustrophobic here and now – compounded by the cyberspace technologies we cling to – that we don’t seem to be able to effectively communicate as a whole, and ask the necessary questions of where we would rather be. A sharing of cynical postmodern humour seems all we’re capable of.

The 20th century Artist Isamo Noguchi said “we are the landscape of all we have seen
. The landscape of England is what I have seen, come of age in, and wanted more from. I’m not sure about ‘the family’ notion altogether, but as 2016 begins England is most certainly a place where wrong the ideas, institutions, and people are in control.

The view from the plane brings everything together. Suddenly the coast of Lincolnshire is connected to the Ferrybridge powerstation, which is connected to the mill town of Huddersfield, which is literally a stones through away from the sprawl of Manchester, over a pennines that looks like a few small hills. Pretty much similar to how the planet as a whole must feel from space, but let’s rearrange the house of England out before we go there.

As we leave Manchester Airport our train home takes two different routes through the city , cutting through the quintessential claustrophobia of ‘Cottonopolis’. It takes us past the areas that fostered some of the best pop music albums since pop music began. I’ve only been out of England 3 days, yet feel a renewed perspective as we cut through the light-green peaks that separate Manchester and Sheffield. I can’t get away from this place – and when I’ve been elsewhere I realise that I don’t want to get away from it anyway. Perhaps when Manchester’s Morrisey sang “England is mine and it owes me a living” it wasn’t one of is odd jingoist quirks, but an recognition that the place he knew as home could be a far better, sharing, happier place to be within.

Spending time elsewhere and then seeing England from above made me realise I have never wanted to leave this land I just want all that is upon the land to be rearranged into what it could, and has always promised it could be.

Prisoners of Reason

I’ve received my copy of Prisoners of Reason: Game Theory and Neoliberal Political Economy Author: S. M. Amadae, which features my artwork ‘The Logic of Neoliberalism’, which I made back in 2010.

I’m really pleased for my work to be part of this publication by S. M. Amadae and now look forward to reading it. The book can be found at the Cambridge University Press.