The mistaken belief that pain will end: Blur’s ’13’, 25 years on

To speak with admiration of Blur still stokes fear of criticism, even to this day. I’ve read enough critiques of their class tourism in the 90s; the ease with which they simultaneously pantomimed the working class whilst being socialites in the Camden scene to make me feel like the only culture I’m allowed to talkContinue reading “The mistaken belief that pain will end: Blur’s ’13’, 25 years on”