The mistaken belief that pain will end: Blur’s ’13’, 25 years on

To speak with admiration of Blur still stokes fear of criticism, even to this day. I’ve read enough critiques of their class tourism in the 90s; the ease with which they simultaneously pantomimed the working class whilst being socialites in the Camden scene to make me feel like the only culture I’m allowed to talkContinue reading “The mistaken belief that pain will end: Blur’s ’13’, 25 years on”

Kraftwerk in the time of Covid 19

This may seem like a ‘stretch’, but I argue that renewed interest in the music of Kraftwerk, brought about by recent passing of co-founder Florian Schneider, makes for strange resonances and recollections in a world partially suspended by the outbreak of Covid 19. Now, I’m not usually one to share news of the death ofContinue reading “Kraftwerk in the time of Covid 19”